Very few things are as good as advertised. Hype, especially in today’s overdriven media cycle, can drain the joy out of experiencing something on its own terms. Even if it’s good, you’re left wondering what all the fuss was about. But when something keeps every promise made on its behalf, like 2019 Nelson Cruz or “Flagpole Sitta” by Harvey Danger, the satisfaction is a shivering, tangible thing.